ABOUT / CONTACT

Howdy! I do a lot of things: illustration, design, animation, letterpress printmaking, bookbinding, oil painting, portraiture, photography, art direction, archviz, woodworking, building, creative direction. I have mixed this wide selection of skills together over a broad career that has spanned industries from publishing, advertising, design and animation studios, and college-level instruction. In 2020, I obtained my MFA in Design and published Homeward Nomad, a selected anthology of sketchbooks, shortly thereafter arriving in Oslo.

My personal work is focused on creativity’s relationship to technology, critically exploring its practical and societal impacts and encouraging self-reflection on its ethics through compositional subject matter, blending historic and contemporary media, or both. If you’re interested in these subjects or are a member of the Oslo creative or educational community, let’s be friends!

Let’s talk about A.I.

I draw a firm boundary between my independent art practice and my work with design technology.

My current art and illustration practice is analog and AI-free. I do not use generative AI to make artwork, imitate another artist’s voice, or replace commissioned creative labor. The hand, material, process and authorship are fundamental to that work.

In my professional design practice, I engage with AI selectively and critically. At Bloom, I contribute to our AI council and explore how these systems can support analysis, prototyping, code, structured production and design-system workflows—including experiments connecting language models with Figma and design tokens.

I am interested in AI as a subject of design and organizational responsibility, not as an automatic substitute for skill or judgment. Its outputs can be inaccurate, derivative, biased, visually weak or inappropriate to the people a service is meant to support. They require human evaluation, transparency and accountability.

I do not consider current AI systems ethically neutral. Questions of authorship, provenance, consent, privacy, labor and environmental cost remain unresolved and must be taken seriously. My responsibility as a designer is to understand both the possibilities and the harms, establish clear boundaries for use, and retain critical human control over every consequential decision.

AI may support parts of a professional design process when its use is appropriate and disclosed. It does not make my art, and it does not replace my responsibility for the work.

Work produced for

MONTÉR
ASSISTERMEG
FOOTLOCKER
HEINZ
FX NETWORK
RESERVATION DOGS
MICROSOFT
UBER
McDONALD’S
LINKEDIN
THE SALVATION ARMY
SPRINT
THE UNITED WAY
HALLMARK

HILLS SCIENCE DIET
HINT / Take2
SHOTTRACKER
CITY of FORT BRAGG, CALIFORNIA
BEAUTY BRANDS
KCPL
CUBIC CREATIVE
CHARLES SMITH WINES / K VINTNERS
THE NEBRASKA LOTTERY
BANNER MEDIA
HEARTLAND CREDIT UNION ASSOCIATION
COLUMBIA COLLEGE
LONE WOLF
NOVARIA AEROSPACE & DEFENSE

ARTSKC (Scope Client)
THE PITCH (Art Director & Production Director)
THE NEW YORK INDEPENDENT
STEMCELL SCIENCE SHOP
THE TULSA VOICE
THIS LAND (Art Director)
URBAN PROVISIONS
WEST 18th ST FASHION SHOW
AWEFULL MEDIA
LIVING ARTS TULSA (SCOPE)